Broadway

‘Liberation’ to transfer to Broadway this fall

liberation 1200 nytg 2

The critically acclaimed play by Bess Wohl made its world premiere off Broadway with Roundabout Theatre Company earlier this year, directed by Whitney White.

Initial casting set for 'The Balusters' on Broadway

A composite image showing five adults of varying ages and diverse backgrounds, each facing forward and smiling or with a neutral expression.

balusters cast-1200x600-NYTG

Five stars of stage and screen have been announced to lead David Lindsay-Abaire's new comedy play at the Samuel J. Friedman Theatre this spring.

'Buena Vista Social Club' tickets now available through May 2026

A group of performers in colorful costumes dance energetically onstage, with musicians playing instruments in the background, set against a vibrant, urban backdrop.

2 bvsc broadway-1200x600-NYTG

The Broadway musical, inspired by the same-named Cuban ensemble and their landmark album, won four competitive Tony Awards and one special award in June.

Broadway understudies guide: When understudies perform on Broadway and more

A person in a blue dress stands center stage with arms raised in front of a large illuminated sign that reads "ROSE.

montego gypsy-1200x600-NYTG

Learn about how to know when an understudy will be on at your performance, and discover different types of cover performers, from swings to alternates to standbys.

Guide to 'The Queen of Versailles' on Broadway starring Kristin Chenoweth

A woman in a sparkly pink dress with feathered sleeves stands center stage with arms raised, surrounded by crew members and stage equipment under bright lighting.

1 versailles boston-1200x600-NYTG

Oscar winner F. Murray Abraham also stars in the musical inspired by the true story of Jackie and David Siegel, who build a lavish life that soon starts crumbling.

Trevor Wayne to star in 'The Outsiders' on Broadway

A young man with medium-length brown hair and light skin wearing a grey t-shirt looks directly at the camera against a plain light background.

trevor wayne-1200x600-NYTG

The actor has been with the production since its opening in spring 2024 and will assume its leading role from Tony Award nominee Brody Grant in September.

Andrew Barth Feldman to star in 'Maybe Happy Ending' on Broadway; Darren Criss to depart

A young man with short curly brown hair, wearing a white shirt and dark denim jacket, smiles at the camera against a plain light background.

andrew barth feldman-1200x600-NYTG

The *Dear Evan Hansen* and *No Hard Feelings* star will play the lead role in the Tony Award-winning Best Musical for nine weeks only beginning in September.

Best Broadway shows in New York in August 2025

A woman with curly hair stands against a blue background, wearing a teal robe and holding her hands to her chest, looking slightly upward.

11 call me izzy-1200x600-NYTG

Discover our top picks for Broadway shows and Off-Broadway shows to see this month, including new shows premiering and last-chance shows closing this month.

Top theatre to see in New York in August | New York Theatre Guide

Here are our top picks of New York plays and musicals to check out in August 2025, including the first new shows to kick off the 2025-26 fall Broadway season.

Guide to 'Cabaret' on Broadway, starring Billy Porter and Marisha Wallace

marisha and billy 1200 nytg credit jay brooks

The latest Tony and Olivier Award-winning revival of the classic Kander and Ebb musical uniquely immerses audiences in the world of Berlin's Kit Kat Club.

See photos of Billy Porter, Marisha Wallace in 'Cabaret' on Broadway

Person wearing a cone party hat, heavy theatrical makeup, and a brown ribbon bow around their neck, looking to the side with a dramatic expression against a dark background.

1 cabaret billy-1200x600-NYTG

The celebrated stage veterans reprise their performances from London in director Rebecca Frecknall's Tony Award-winning revival of the classic musical.

Welcome to Skid Row! Emmy Award nominee [Madeline Brewer](https://www.newyorktheatreguide.com/stars-on-stage/madeline-brewer) and [Nicholas Christopher](https://www.newyorktheatreguide.com/stars-on-stage/nicholas-christopher) are the next stars of [*Little Shop of Horrors*](https://www.newyorktheatreguide.com/show/24608-little-shop-of-horrors-tickets) off Broadway at the [Westside Theatre](https://www.newyorktheatreguide.com/venues/westside-theatre) beginning August 12.

Brewer is known for playing Janine Lindo in *The Handmaid's Tale* (Emmy nomination), Brontë in *You*, and Tricia Miller in *Orange Is the New Black*. She now makes her Off-Broadway debut as Audrey in *Little Shop of Horrors*.

Christopher returns to the musical's lead role of Seymour after first appearing in the show in fall 2024. He has also performed in *Hamilton*, *Miss Saigon*, *Motown The Musical*, and *Sweeney Todd* on Broadway and *Jelly's Last Jam* off Broadway to acclaim. He will next star alongside [Aaron Tveit](https://www.newyorktheatreguide.com/stars-on-stage/aaron-tveit) and [Lea Michele](https://www.newyorktheatreguide.com/stars-on-stage/lea-michele) in this fall's Broadway revival of [*Chess*](https://www.newyorktheatreguide.com/show/44447-chess).

Brewer and Christopher replace current stars [Elizabeth Gillies](https://www.newyorktheatreguide.com/stars-on-stage/elizabeth-gillies) and [Graham Phillips](https://www.newyorktheatreguide.com/stars-on-stage/graham-phillips), who play their final performances as Audrey and Seymour on July 27. Continuing cast members include Drama Desk nominee Jeremy Kushnier as Dr. Orin Scrivello DDS, Tony nominee Reg Rogers as Mushnik, Major Attaway as The Voice of Audrey II, Hailey Thomas as Ronnette, Daria Pilar Redus as Crystal, and Morgan Ashley Bryant as Chiffon.

Between July 29 and August 10, the role of Audrey will be played by Morgan Ashley Bryant, and Seymour will be played by a rotating cast: Jeff Sears (July 29 - August 3), Bryan Fenkart (August 5-6), Weston Chandler Long (August 7-8), and Johnny Newcomb (August 9-10).

Alan Menken and Howard Ashman's horror comedy musical follows Seymour, a down-on-his-luck flower shop worker who encounters a mysterious talking plant that promises him fame and fortune — for a bloody price. The current revival premiered to acclaim in 2019.

Get [*Little Shop of Horrors* tickets](https://www.newyorktheatreguide.com/show/24608-little-shop-of-horrors-tickets) now.

*Photo credit: Madeline Brewer and Nicholas Christopher. (Photos courtesy of production)*

Madeline Brewer, Nicholas Christopher to join 'Little Shop of Horrors' Off-Broadway cast

A split image showing a woman with long dark hair on the left and a man with a shaved head and beard on the right, both facing the camera.

brewer christopher-1200x600-NYTG

Off-Broadway

Ages 5+. Children under the age of 4 are not permitted in the theatre.

Westside Theatre

Little Shop of Horrors - NYC [24608]

Genre: Musical (US and AUS)

NY - Broadway

Broadway shows

New York All Shows

Get last-minute theatre tickets for New York Shows at the best prices, and get exclusive access to our Lottery and Rush tickets.

Last-Minute Broadway Tickets & Theatre in NYC | New York Shows | TodayTix

New York Shows

Get tickets to the best shows at the best prices on Broadway and beyond

Discover New York City 

New York Header Image

Latest New York City Insider Posts 

Explore Broadway and Off-Broadway news and reviews, and book the best NYC events.

New York Theatre Guide Home Page (New York Theatre Guide)

New York Theatre Guide – Official site for theatre tickets & news

See what's on sale on Broadway, from classics to new hits. Get tickets today. Find tickets at New York Theatre Guide, a reliable source for Broadway.

New York Theatre Guide - New York Musicals & Plays

New York

New York Search Results

Search Results

New York Tile Image

NYC App Home

Venues in New York City

New York Home Page (TT Home)

Get the best prices on theatre tickets today and this week in New York, London and more. Read reviews. Win exclusive lottery or rush tickets. Download our app.

TodayTix | Theater Tickets to Musicals, Plays, Broadway, More 

New York Nav Links [NEW]

More shows

New York Home Page (WL)

WL Newsletter

WL NYC Nav

Little Shop of Horrors

Little Shop of Horrors - Hero

Little Shop of Horrors - NYC [24608] Product Media 

NYC Little Shop of Horrors Sherie + Nicholas Prod 2

A man in glasses and a cap leans over a desk with a large, unusual plant, next to a telephone and typewriter, in a dimly lit room with a clock on the wall.

Little Shop of Horrors - Product Media - Image - Asset #1

A person holds a large plant puppet with open jaws on a dimly lit stage set resembling a flower shop.

Little Shop of Horrors - Product Media - Image - Asset #4

A man kneels beside a large plant, looking up at a woman standing behind a counter in a vintage-style room with a window and clock on the wall.

Little Shop of Horrors - Product Media - Image - Asset #6

A woman in a black dress leans on a yellow counter next to a man in glasses and a green plaid shirt; a black phone and potted flowers sit on the counter.

Little Shop of Horrors - Product Media - Image - Asset #7

A man in glasses and a cap points at a large, open-mouthed, green plant puppet on a stage set resembling a shop interior.

Little Shop of Horrors - Product Media - Image - Asset #8

A woman in a black dress sits on a stoop while a man in a vest and glasses stands nearby. The scene is dimly lit, suggesting a theatrical performance or stage set.

Little Shop of Horrors - Product Media - Image - Asset #9

A woman in a black dress and heels and a man in a vest and glasses sit on stone steps outside a door at night, engaged in conversation. A metal trash can is nearby.

Little Shop of Horrors - Product Media - Image - Asset #11

A woman in a black dress stands confidently at the front of a stage holding a letter, while a man sits on steps in the background. The set has a moody, theatrical atmosphere.

Little Shop of Horrors - Product Media - Image - Asset #12

Person sitting at a desk with a red phone, wearing a black dress. Large plant with a toothy mouth in the background, surrounded by greenery. Dramatic lighting and stage setting.

Little Shop of Horrors - Product Media - Image - Asset #2

Performer in a flowing blue dress stands on stage with arms raised, holding fabric. The background is dimly lit with a floral arrangement.

Little Shop of Horrors - Product Media - Image - Asset #3

Four people are on an urban stage set. One person sits on a ledge, while three others sit on steps, engaged in conversation.

Little Shop of Horrors - Product Media - Image - Asset #5

A woman in a white dress stands near a large, open-mouthed plant with vines, on stage in a theatrical setting.

Little Shop of Horrors - Product Media - Image - Asset #10

359768039-lsh-1146w-todaytix-480x720-v1

Poster of Little Shop of Horrors in New York.

Little Shop of Horrors - Square

Go home to Skid Row! *Little Shop of Horrors* has taken root at the Westside Theatre for its latest acclaimed Off-Broadway run. See Graham Phillips and Elizabeth Gillies lead the award-winning revival from June 17 to July 27 only — get *Little Shop of Horrors* tickets on TodayTix.

Based on a 1960 black comedy film, the *Little Shop of Horrors* musical centers on a hapless flower shop worker, Seymour, and his new exotic plant that happens to feed on blood. The mere presence of the plant in the window quickly brings traffic to the small shop, and the owner, Mushnik, promotes Seymour because of it. Seymour even finally catches the interest of Audrey, his coworker who's been stuck in a relationship with a sadistic dentist, Orin. All, it seems, because of the plant. Surely this Venus flytrap-esque thing will stay in its pot and not cause trouble as long as Seymour pricks his finger every now and then, right?

Soon the plant grows out of hand and grows insatiable, and Seymour's tasked with committing some heinous acts to satisfy its bloodthirst. Though he's horrified at the thought, he's not ready to give up the fame and love that Audrey II, which he's dubbed the plant, has given him.

*Little Shop of Horrors* is a rare musical, in that its Off-Broadway productions are perhaps more famous than its Broadway run, so it's no wonder that the show has blossomed at its latest Off-Broadway home since 2019. The world premiere of *Little Shop of Horrors* off-Broadway was in 1982, and librettist/lyricist Howard Ashman even declined to transfer the production to Broadway. The musical eventually made it there in 2003, receiving various awards nominations, but *Little Shop of Horrors* has remained most famous as an Off-Broadway staple, and a favorite of community theatres and schools. The musical also received its own film adaptation in 1986, which has become a cult classic.

Go somewhere that's green and get tickets to *Little Shop of Horrors* in New York on TodayTix.

## What to watch for

- It takes three actors to bring Audrey II to life: One provides the booming voice of Audrey II, and two act as puppeteers behind the scenes. Just like the actors the audience sees, even the puppeteers have understudies, too.
- Four different Audrey II puppets are used in the show as the plant gets progressively bigger. The smallest can fit on a table, and the largest takes up most of the Westside Theatre's stage!
- In the show's official script, Audrey II's character is described as "an anthropomorphic cross between a Venus flytrap and an avocado." Talk about something that's green! 
- A "skid row" is a term for any impoverished neighborhood and gives *Little Shop of Horrors*'s Skid Row its name. There is a neighborhood unofficially called Skid Row in Los Angeles, where the original 1960 film is set.
- The musical had its first Off-Broadway run at the Orpheum Theatre from 1982-1987. At the time of closing, it was the third-longest-running Off-Broadway show in history. It's been beat out by plenty of shows since then — including *Stomp*, which has enjoyed nearly 30 years at the Orpheum so far — but remains an iconic show in Off-Broadway history.

## Important information

Children under 4 are not permitted in the theatre. 
No weapons permitted on the premises. No outside food or beverages, electric scooters, e-bikes, or battery-powered transportation devices, except when medically necessary. 
All items are subject to inspection. Anything brought into the theatre must fit on your lap or completely under your seat without blocking any aisles. 
The use of cameras, cell phones, and other recording devices during the show is strictly prohibited by law, except when used for accessibility services.

Little Shop of Horrors - NYC - TodayTix 

Get the best prices on tickets for Little Shop of Horrors on TodayTix. See Graham Phillips and Elizabeth Gillies now as Audrey and Seymour.

When a nerdy flower shop worker finds a mysterious talking plant, it completely changes his life — but at a bloody cost. Go down to Skid Row for the latest revival of Alan Menken and Howard Ashman's horror comedy blossoming off Broadway.

An Off-Broadway revival of Howard Ashman and Alan Menken's cult favorite *Little Shop of Horrors*, boasting a regularly star-studded cast, has been bringing audiences to Skid Row since fall 2019. See Elizabeth Gillies and Graham Phillips star in the critically acclaimed revival from June 17 to July 27 only! Get *Little Shop of Horrors* tickets now.

The *Little Shop of Horrors* musical is a campy horror comedy centered on a florist named Seymour. He's sweet, yet clumsy and awkward, and he has a massive crush on his beautiful coworker, Audrey, who's already in a relationship with a sadistic dentist, Orin. His life turns around, though, when he comes upon an unusual plant that he brings into the shop. Suddenly, business is booming. The flower shop owner, Mushnik, warms up to Seymour and becomes the father figure he never had. Even Audrey starts to show interest in him.

But there's a catch. This unusual plant is unusually thirsty — and not for water. It's a flesh-and-blood-eating specimen — sweetly dubbed Audrey II — that soon becomes unsatisfied with Seymour pricking his finger every so often to feed it, and it comes alive to demand more substantial fare. If Seymour's up to the task of getting him some fresh human meat, the plant promises to make all of Seymour's dreams of fame, love, and fortune come true.

*Little Shop of Horrors* is based on a low-budget black comedy film, *The Little Shop of Horrors*, which debuted in 1960. It would become a musical more than 20 years later, with the premiere of *Little Shop of Horrors* off Broadway in 1982. The show played the Orpheum Theatre (currently home to [*Stomp*](https://www.newyorktheatreguide.com/show/15-stomp-tickets)) through 1987 and was the third-longest-running Off-Broadway show ever at the time. The musical would later transfer to Broadway in 2003, though Ashman initially refused, wanting to preserve the intimate nature of the show. He seems to have been onto something, as the Broadway production ran for just under a year and earned a single Tony nomination. The musical has remained most popular, though, as an Off-Broadway hit, thriving in smaller venues like its current home, the 270-seat Westside Theatre, as well as regional, community, and school theatres.

The 2019 *Little Shop of Horrors* revival has seen a string of celebrity actors as Seymour, beginning with Jonathan Groff. He's been followed by Gideon Glick, Jeremy Jordan, Conrad Ricamora, Skylar Astin, and Rob McClure. Tammy Blanchard and [Christian Borle](https://www.newyorktheatreguide.com/stars-on-stage/christian-borle) also starred in the original cast of the revival as Audrey and Orin, respectively.

## Who wrote *Little Shop of Horrors*?

The *Little Shop of Horrors* musical is by bookwriter/lyricist Howard Ashman and composer Alan Menken. As the show takes place in the 1960s, Menken's score incorporates rock and roll, Motown, and doo-wop styles alongside traditional musical theatre.

Ashman and Menken are best known for their work on Disney musicals including *Beauty and the Beast* and *The Little Mermaid*.

## Is *Little Shop of Horrors* on Broadway?

*Little Shop of Horrors* is off Broadway at the Westside Theatre. The venue is a short distance from many Broadway theatres, but has fewer seats than a Broadway house.

## How long is the *Little Shop of Horrors* musical?

*Little Shop of Horrors* runs 2 hours and 15 minutes, including an intermission.

Get tickets to *Little Shop of Horrors* in New York now.

(Photos by Emilio Madrid)

Little Shop of Horrors - NYC - New York Theatre Guide

Get tickets to Little Shop of Horrors from the official New York Theatre Guide. Catch this celebrated revival of the horror comedy blossoming off Broadway.

Little Shop of Horrors Tickets | Official NY Theatre Guide

When a mild-mannered florist finds a talking, blood-drinking flower, he sees a path to success and romance. This campy horror comedy is a cult classic in person and on the silver screen, and this production won multiple Best Musical Revival awards. Get tickets to this quirky, bloody show blossoming off Broadway.

The plant at the centre of <a href="/show/little-shop-of-horrors">Little Shop of Horrors</a> that feeds on human blood may have had its sights on world domination, but the musical that was based on the low-budget 1960 comedy sci-fi film of the same name has actually long achieved it, so it ultimately got what it wanted. And now the show has come full circle, 37 years on from its Off-Off-Broadway beginnings at the WPA Theatre (now no more) in May 1982, before moving to the larger Orpheum Theater on Second Avenue in the East Village that summer, where it ran for five years and became the highest-grossing show in Off-Broadway history until then, to find a new home at another Off-Broadway house just off Eighth Avenue in midtown Manhattan.In the intervening years, it has been turned into a feature film and played in the West End and on Broadway (the latter in a new production in 2003 that ran for less than a year at the Virginia Theatre, now the August Wilson), but its true home is a more modestly scaled place like the 270-seater <a href="/theatres/westside-theatre">Westside Theatre</a>, a former Baptist church built in 1889 that has been used as a theatre space since the mid-1970s.But while it is naturally a special pleasure and privilege to see the show at close quarters again, everything about this new version screams Broadway, from its above-the-title casting of multiple Tony Award nominees Jonathan Groff, Tammy Blanchard and two-time Tony winner <a href="/actor-profile/christian-borle">Christian Borle</a>, to its creative staff, led by director Michael Mayer, Tony winner for his original production of Spring Awakening. And unfortunately not everyone alas is willing to let the show sing and speak for itself, but&nbsp;seeks to portray it on a larger canvas.The production often feels too large and indulgent on this small stage, starting with Julian Crouch's expansive set that consumes the theatre. This may be the priciest Skid Row ever brought to an Off-Broadway stage.The performances are at times similarly exaggerated. In trying to mine new colours for Audrey, the abused floral shop assistant who falls for her work colleague Seymour as he nurtures a new exotic plant that he names Audrey II after her, Tammy Blanchard channels her into a sultry Rita Heyworth-inspired character, with her songs slowed down into torch songs of despair. 'Somewhere that's Green' sounds less aspirational of a better life than a dread doubt of ever achieving it.Jonathan Groff seems similarly depressed and downtrodden as Seymour, while Christian Borle plays the dentist Orin and a range of other characters purely as bright, eager caricature.There are some compensating pleasures from the trio of street urchins Ronnette (Ari Groover), Crystal (Salome Smith) and Chiffon (Joy Woods), who are a kind of Greek chorus observing and commenting on the action in Alan Menken's wonderful pastiche score. It is here that the enduring pleasures of the show itself are most apparent.Nicholas Mahon's new puppet designs for the plant itself are impressive as it grows ever larger. But less, in this production, would be more amongst the human elements.(Photo by Emilio Madrid-Kuser)<div class="block block-block contextual-links-region " id="block-block-9"><div class="block-inner clearfix"><div class="block-title"><h2>WHAT THE OTHER CRITICS SAID</h2></div></div></div>"A certain carnivorous plant has been repotted in Hell's Kitchen, and I am delighted to report that it's thriving there. This hot showbiz shrub of yesteryear, which goes by the name of Audrey II, has found a new dance partner, a performer who can coax the&nbsp;tendril-stretching star quality&nbsp;out of a freakish botanical specimen. That would be Jonathan Groff,&nbsp;who is generating major nerd charisma in Michael Mayer's delicious revival of Little Shop of Horrors." Ben Brantley&nbsp;for <a href="https://www.nytimes.com/2019/10/17/theater/little-shop-of-horrors-review-jonathan-groff-feeds-the-beast.html" target="_blank">New York Times</a>"Tight feels right, because the roots of Alan Menken and Howard Ashman's terrific show are in small houses. Now the insanely catchy doo-wop musical occupies the 270-seat Westside Theatre, with a bare-bones set and not a projection in sight. Freed from dealing with the usual trappings of modern musicals, you can feel the actors let their vines down." Johnny Oleksinski&nbsp;for <a href="https://nypost.com/2019/10/17/little-shop-of-horrors-review-jonathan-groff-tammy-blanchard-get-real/" target="_blank">New York Post</a>"Michael Mayer's deeply satisfying revival at the Westside Theatre, with a set by Julian Crouch, has the right sense of scale for a musical that began Off Broadway and is most at home there. It's a little show, and the closer we get to it, the more it sucks us in." Adam Feldman for <a href="https://www.timeout.com/newyork/theater/little-shop-of-horrors-review-revival-jonathan-groff-tammy-blanchard-christian-borle" target="_blank">Time Out New York</a>"What's most immediately captivating about the limited-engagement production is that, deluxe casting aside, it eschews Broadway scale in favor of a return to the show's roots in an off-Broadway theater that seats just 270. That accounts for the production's sell-out business, two-month extension and cluster of hopeful ticket-buyers waiting on cancellation lines at every performance. While it's become something of a classic, this remains at heart a scrappy little pastiche musical whose charms thrive most vibrantly in an intimate house." David Rooney&nbsp;for&nbsp;<a href="https://www.hollywoodreporter.com/review/little-shop-horrors-theater-review-1248089" target="_blank">Hollywood Reporter</a>"Directed at a quick clip by Michael Mayer,&nbsp;this Little Shop&nbsp;is played out on the small, tight stage of the Westside Theater with an ever-growing, masterfully manipulated plant (kudos to Eric Wright, Teddy Yudain, Kris Roberts, Chelsea Turbin). The close confines give this Little Shop&nbsp;the intimacy of home viewing." A.D. Amorosi&nbsp;for&nbsp;<a href="https://variety.com/2019/legit/reviews/little-shop-of-horrors-review-jonathan-groff-1203370043/" target="_blank">Variety</a>&nbsp;

Review of Little Shop of Horrors, starring Jonathan Groff, Tammy Blanchard & Christian Borle, at Westside Theatre

lsoh groff-1200x600-NYTG

Madeline Brewer makes her Off-Broadway debut as Audrey in [*Little Shop of Horrors*](https://www.newyorktheatreguide.com/show/24608-little-shop-of-horrors-tickets) off Broadway at the [Westside Theatre](https://www.newyorktheatreguide.com/theatres/westside-theatre) from August 12, 2025.

Brewer is best known for her Emmy Award-nominated performance as Janine Lindo in *The Handmaid's Tale* and additional recurring TV roles including Brontë in *You*, Tricia Miller in *Orange Is the New Black*, and Miranda Cates in *Hemlock Grove*.

Madeline Brewer - NY

madeline

Nicholas Christopher stars as as Seymour in [*Little Shop of Horrors*](https://www.newyorktheatreguide.com/show/24608-little-shop-of-horrors-tickets) at the [Westside Theatre](https://www.newyorktheatreguide.com/venues/westside-theatre) off Broadway from August 12 and as Anatoly Sergievsky in [*Chess*](https://www.newyorktheatreguide.com/show/44447-chess) on Broadway from October 15, 2025.

Best known for his stage work, Nicholas Christopher has performed on Broadway in [*Hamilton*](https://www.newyorktheatreguide.com/show/384-hamilton-tickets), *Miss Saigon*, and *Sweeney Todd* after making his debut with *Motown The Musical*. Earlier, he made his professional acting debut in *In the Heights* in Puerto Rico, performing alongside Lin-Manuel Miranda.

He also starred as Jelly Roll Morton in *Jelly's Last Jam* off Broadway.

Nicholas Christopher - NY

Nicholas B W 200

Westside Theatre, located in the heart of New York City, is a true spectacle for all theatre enthusiasts. This performing arts venue is renowned for its unique and diverse range of productions, from Tony Award-winning plays to innovative off-Broadway performances. The theatre is divided into Upstairs and Downstairs theatres, which allows simultaneous performances. The upstairs theatre, located on the second floor, accommodates 270 people, while the downstairs theatre has a capacity of 249 seats. Outfitted with modern sound and lighting systems, it provides an intimate and immersive experience for audiences. Traditional architecture mixed with contemporary designs creates a unique ambiance that can only be found in this legendary theatre.

**How to get to Westside Theatre**: The theatre is situated at 407 W 43rd St. The nearest subway is at 42nd Street, which you can access through the A, C, or E trains. If you prefer to drive, several parking garages are located nearby. Due to its central location, Westside Theatre is also easily reachable by local buses, taxis, or rideshares.

Westside Theatre - NYC

Westside-theatre-1600x1200px

Westside Theatre - TodayTix

The Westside Theatre building was designed by architect Henry F. Kilburn as the Second German Baptist Church in 1890. Nearly a century later, the space housed a discotheque, Club Sanctuary, until it was finally converted into a theatre with two stages (upstairs and downstairs) in 1973.

The Chelsea Theatre Group presented the first production – David Storey’s *The Contractor* – in October 1973. The building was renamed the Chelsea Westside Theatre. Under the management of Raymond L. Gaspard, the theatre was rechristened the Westside Arts Theatre from 1981 until 1990.

After an extensive renovation by new management, the venue reopened in March 1991 as the Westside Theatre. The Upstairs Theatre has a capacity of 270 seats, while the Downstairs Theatre holds 249 seats.

## How to get to the Westside Theatre off Broadway

The Westside Theatre is closest to the 42nd St. - Port Authority subway stop on the A, C, and E lines. The closest bus stop is 9 Av./W 44 St. on the M11 line.

Westside Theatre - New York Theatre Guide

The Westside Theatre, initially the Second German Baptist Church, housed a discotheque before becoming a two-stage theatre in 1973. It underwent several name changes and renovations.

Westside Theatre Seating Plan - NYC - 1110 x1150 px

Westside Theatre in NYC hosts diverse performances in its two theatres. It's readily accessible via subway, bus, taxi or rideshare.

*The Handmaid's Tale* Emmy nominee Brewer will make her Off-Broadway debut in the hit musical revival alongside Christopher, who returns to the role of Seymour.

Ages 10+. Infants are not permitted in the theater.

Hamilton on Broadway - NYC [384]

Hamilton on Broadway

Hamilton on Broadway [384] Product Media

I saw *Hamilton* Wednesday last at the Richard Rogers Theatre. Last night I went to bed with *Hamilton*. I had Lin-Manuel Miranda's script all to myself and devoured it. There is so much information, not to mention plain old smarts, that is packed into this show that reading the text is an exercise in pure pleasure. And once again I came away with the same conclusion. This is a story ABOUT Alexander Hamilton while at the same time it is the story OF Aaron Burr.

Burr (Leslie Odom, Jr.) welcomes us to the evening almost purring:

How does a b*st*rd, orphan, son of a wh*re And a Scotsman dropped in the middle of a forgotten spot In the Caribbean, by Providence impoverished, to squalor Grow up to be a hero and a scholar?

Who did this immigrant Hamilton (Lin-Manuel Miranda) think he was? Burr was the son of money. Hamilton was the son of chance and fortune. Burr was willing to wait for his just rewards; Hamilton preferred the direct route.

... I'm just like my country I'm young, scrappy and hungry And I'm not throwing away my shot

Hamilton arrives from Nevis in the Bahamas just as the country is splintering into a new incarnation. He lands in New York, the center of everything, and works his way up the revolutionary ladder. He sits at the right hand of God in the person of George Washington (Christopher Jackson) and pines for a command that is denied him until there is no other option.

Hamilton did not live in a vacuum, however. Events and people were moving around him like a hurricane. The women in his life were a match in every way to the men. "The Schuyler Sisters," Angelica (Renée Elise Goldsberry), Eliza (Phillipa Soo), and Peggy (Alysha Deslorieux on the night I was there), are the center of New York's solar system. While Washington in planning battle, there is a social life to be created. Angelica is looking for a mind at work, and when both she and her sister, Eliza, are smitten by Hamilton, she steps aside in a scene that is tragic and gallant.

As each element is added to the story, the tapestry becomes richer and more dense. Family brings new responsibility but does not alter Hamilton's trajectory. As the new country is formed, he stays in the inner circle, annoying Thomas Jefferson (Daveed Diggs) who was in France for most of the war, and drives Burr just a little mad. Burr's thirst for the power that Hamilton has is palpable, and as his frustration explodes in the second act with "The Room Where It Happens," the experience is visceral for us all and becomes a showstopper.

Over and over again we see the tragedy that is coming. The rules of dueling are spelled out more than one time. The future is seen as a place where these folks may not walk but in which they will be remembered. The tension and terror of the time fill the theatre. This is balanced by Miranda's eye for the absurd, the ridiculous and the insidious which evoke belly laughs, winces and mental high-fives. He gives a generous nod to King George (Jonathan Groff, who is the only white person playing a main character) who smiles and winks through three pop numbers that remind us in the nicest possible way that the little people are just that:

Cus when push comes to shove I will kill your friends and family to remind you of my love

Hamilton was smart and driven - and he was a writer. It was his pen that got him out of his home, and it would be his pen that brought him to the side of Washington. Today he would have been tweeting (as is Miranda) several times a day. If the telegraph had been around he would have been tapping until the machine melted in his hands. But these were the days of longhand, quills, ink, and parchment. And delivery was by foot or, if you were lucky, horseback. Still, what Hamilton managed to crank out was not only impressive, it was world-altering. His accomplishments are listed like it was an awards banquet. He crafted a financial system. Created the national debt to save the country. Wrote *The Federalist Papers*. He wrote as if he were running out of time. And he was.

The last moments of Hamilton's life are perhaps the most delicately crafted. "I imagine death so much it seems like a memory," Hamilton sings as the bullet travels through time and relationships to reach him. And when it does, we hear the lament of Aaron Burr, still at the center of the tale, who didn't realize the world was wide enough for them both, and the chorus that delivers us back into our seats singing and asking us, "Who lives? Who dies? Who tells your story?"

Hamilton is a magnificent tapestry where all the elements of theatre are called upon to be their very best. The choreography by Andy Blankenbuehler is nothing short of mesmerizing. His work makes the entire piece pulse. Alex Lacamoire's musical direction and orchestration lifts us into the stratosphere. The scenic design by David Korins, costumes by Paul Tazewell, and lights by Howard Binkley are seamlessly integrated and a visual feast. Finally, Thomas Kail's direction is impeccable. Under his guidance this show has been pieced together into a living, breathing entity. *Hamilton* is not just a show, it is an experience - which is always the goal of art. This is not a show that you sit and watch. It is a show that takes you by the hand and pulls you into its embrace.

The end result is something much more than the story of one man. It is the story of how we each create our destiny and our mark on the world. You leave the theater thinking about what you would like to do that you have not done. You leave the theatre filled with possibility.

(Photo by Joan Marcus)&nbsp;<hr />"'Hamilton' makes us feel the unstoppable, urgent rhythm of a nation being born." Ben Brantley for New York Times"With 'Hamilton,' Broadway is officially the coolest place on the planet. And the smartest. And most exhilarating." Joe Dziemianowicz for New York Daily News"Lin-Manuel Miranda's 'In the Heights' may have been a hit — but his 'Hamilton' is a phenomenon." Elisabeth Vincentelli for New York Post"The greatest American musical in decades." David Cote for Time Out New York"It was phenomenal off-Broadway. It's even better now. 'Hamilton' is that rare musical that fires on all cylinders, even ones we never knew existed." Roma Torre for NY1"This is a musical often stunning in its audaciousness." Mark Kennedy for Associated Press"This enormously ambitious and entertaining musical history lesson is even more impressive on a second viewing." Frank Scheck for The Hollywood Reporter"This innovative show is shaping up to be just as much of a phenomenon uptown, playing in a Broadway house with four times the seating capacity, and to a more traditional but no less enthusiastic audience. That universal appeal to crossover audiences is one unmistakable sign of a groundbreaking show." Marilyn Stasio for VarietyExternal links to full reviews from popular press...<a href="http://www.nytimes.com/2015/08/07/theater/review-hamilton-young-rebels-changing-history-and-theater.html?_r=0" target="Top">New York Times</a> - <a href="http://www.nydailynews.com/entertainment/theater-arts/hamilton-musical-mint-condition-broadway-article-1.2316761" target="Top">New York Daily News</a> - <a href="http://nypost.com/2015/08/06/hamilton-isnt-quite-revolutionary/" target="Top">New York Post</a> - <a href="http://www.timeout.com/newyork/theater/hamilton-1" target="Top">Time Out</a> - <a href="http://www.ny1.com/nyc/all-boroughs/lifestyles/2015/08/6/ny1-theater-review---hamilton-.html" target="Top">NY1</a> - <a href="http://www.hollywoodreporter.com/review/lin-manuel-mirandas-hamilton-theater-813145" target="Top">Hollywood Reporter</a> - <a href="http://variety.com/2015/legit/reviews/hamilton-review-broadway-1201557679/" target="Top">Variety</a>

'Hamilton' review

Read our five-star review of *Hamilton* on Broadway at the Richard Rodgers Theatre.

The Richard Rodgers Theatre, named after one of the most influential composers in American history, is a Broadway theatre located in New York City. It was originally opened in 1925 as 'Chanin's 46th Street Theatre' and was later renamed in honor of prolific composer Richard Rodgers in 1990. At over 14,000 square feet, it is the highest grossing venue on Broadway, with a seating capacity for an audience of over 1,300 people. Offering a variety of shows, it is best known for the ongoing run of the critically acclaimed musical, 'Hamilton'. Not only does this theatre provide top-notch entertainment, but it also offers an array of amenities for its guests, including wheelchair accessible seating, assistive listening devices, and more. 

*How to get there*: The Richard Rodgers Theatre is conveniently located at 226 W 46th Street, near Times Square. Access to the theatre is easy and convenient with several modes of public transportation available. The nearest subway stations are 49th Street (N, R, and W lines) and 42nd Street - Times Square (A, C, E, N, R, W, 1, 2, 3, 7, and S lines). Alternatively, visitors can take a bus to West 46th Street and 8th Avenue, which is just a short walk to the theatre.

Richard Rodgers Theatre - NY

Richard Rodgers Theatre

Richard Rodgers Theatre is a historic Broadway venue in New York, notable for Hamilton performances. Easy access via subway or bus.

Encores! Jelly's Last Jam - NYC [31935]

Encores! Jelly's Last Jam

Encores! Jelly's Last Jam - NYC Product Media

The **New York City Center** is one of the most influential performing arts venues in New York City. Located at 131 West 55th Street in Manhattan, it serves as a beacon for enthusiasts of dance, music, and theater. The Center was established in 1943 and has since played host to numerous notable productions, resonating with the key artistic transitions that have marked the evolution of performance art in the heartland of the greatest city in the world.

Emerging from its humble beginnings as an alternative center for artists who couldn't afford Broadway, the Center has turned into a reputable institution that neither compromises on its values nor its commitment to delivering the highest quality of artistic productions. Special mention goes to their yearly Fall for Dance festival, an exciting event that showcases the arts performances from international dance companies and uniquely affordable tickets.

The architecture of the theater itself is striking, boasting a distinctive neo-Moorish design and luxurious interiors that enhance the overall experience of the performances. With a seating capacity of 2,257, the Center is the perfect midpoint between intimacy and scale.

**Getting There**

The New York City Center is easily accessible by public transportation. The closest subway stops are 57th Street - 7th Avenue (N/Q/R/W), 57th Street (F), and 55th Street - 7th Avenue (B/D/E). Alternatively, if you're driving, there are several parking garages located nearby, although be aware that parking in Midtown Manhattan can be challenging and expensive. Those wishing to bike will find numerous Citi Bike docking stations in the vicinity.

New York City Center - NY

New York City Center

The New York City Center is a landmark Manhattan theater known for dance, music, and theater performances, featuring grand neo-Moorish architecture.

Ages 12+. Guests under 5 are not permitted in the theatre.

Sweeney Todd on Broadway - NYC [26216]

Sweeney Todd on Broadway

Sweeney Todd on Broadway - NYC Product Media

[*Sweeney Todd*](https://www.newyorktheatreguide.com/show/26216-sweeney-todd-on-broadway-tickets) is back on Broadway, and there’s much to savor in this musical revival starring [Josh Groban](https://www.newyorktheatreguide.com/stars-on-stage/josh-groban) and [Annaleigh Ashford](https://www.newyorktheatreguide.com/stars-on-stage/annaleigh-ashford). Stephen Sondheim’s sublime score sounds deliciously lush as played by the 26-piece orchestra, the singing is uniformly excellent, and Hugh Wheeler’s morbidly gripping story unfolds in crisp fashion. 

However, there’s an ingredient missing in [*Hamilton*](https://www.newyorktheatreguide.com/show/384-hamilton-tickets) director Thomas Kail’s star-studded but standard take on the 1979 musical: its essential dark edge. Subtitled *The Demon Barber of Fleet Street*, the show motors on Sweeney’s monstrous dimensions. Absent that, or even a faint whiff of borderline madness from what he’s been dealt, the production comes off as a bit too tame. 

Gorgeous music threads throughout this grisly thriller. Sweeney (Groban) returns to London after being wrongfully imprisoned for 15 years. Mourning the loss of his family because of a corrupt judge and his henchman, the barber swears revenge on the duo. He’ll use his straight razors for payback. Pie shop proprietor Mrs. Lovett (Ashford), who has a thing for Sweeney, becomes his accomplice. When Sweeney’s throat-slitting escalates, she grinds his victims into makings for meat pies. Business booms. But there’s no way this tale can have a happy ending. 

Mimi Lien’s two-tiered set makes use of the stage and a bridge above it. A counter pushed into place is the pie shop, and a crane contraption doubles as a madhouse. The bridge is used in a striking moment for a silhouetted dance. Elsewhere, Steven Hoggett’s choreography recalls awkward aerobics, particularly when all hell breaks loose near the end. Natasha Katz’s dramatic lighting is the star of the physical production.

Both leads deliver exactly what they’re best at. Groban, a Tony nominee for *Natasha, Pierre & the Great Comet of 1812*, has a nice-guy persona and lacks the sinister side to convince as a man "even rats fear," according to the title song. He also blends into the crowd in group scenes. But when he sings, Groban commands focus 100 percent. He taps directly into the mournful tones of “The Barber and His Wife,” in which he recalls his past, and the despair of “Epiphany,” as he faces his future.

Last seen on Broadway as Dot in Sondheim’s *Sunday in the Park With George*, Ashford is a very fine singer, but her comic chops set her apart. She won a Tony for *You Can’t Take It With You*, a play in which she bounced off the walls. She is clearly in her comfort zone here. 

Sporting a messy hairdo a la Angela Lansbury, the original Mrs. Lovett, Ashford throws herself into the part – and onto the stage. She bump-bump-bumps down a staircase on her fanny. She channels the Three Stooges and spins while on her side on the floor. She’s a riot, and she also oozes vulnerability. As funny as she is, Mrs. Lovett is a villain because she keeps a life-and-death secret from Sweeney.

Gaten Matarazzo of *Stranger Things* plays Tobias, who becomes Mrs. Lovett’s helper. He makes the most of the famous song “Not While I’m Around.” Jordan Fisher and Maria Bilbao ably fill out the romantic subplot as the thwarted young lovebirds Anthony and Johanna. 

The beggar woman, played by Ruthie Ann Miles, looms extra large in this version. In a provocative stroke, when she enters the barber shop, she points here and there as if remembering something. Is her mind really gone? That question makes her fate all the more tragic – and Sweeney’s words more resonant.

“We all deserve to die,” Sweeney sings. He means himself and Mrs. Lovett. In this revival, the barber and the baker go hand in hand to hell.

[*Sweeney Todd* is at the Lunt-Fontanne Theatre. Get *Sweeney Todd* tickets on New York Theatre Guide. ](https://www.newyorktheatreguide.com/show/26216-sweeney-todd-on-broadway-tickets)

*Photo credit: Annaleigh Ashford and Josh Groban in Sweeney Todd on Broadway. (Photo by Matthew Murphy and Evan Zimmerman)*

'Sweeney Todd' review — Josh Groban-led revival doesn't frighten, but still thrills

Read our four-star review of Stephen Sondheim's *Sweeney Todd* on Broadway, starring Josh Groban and Annaleigh Ashford, playing at the Lunt-Fontanne Theatre.

**Lunt-Fontanne Theatre** is one of the most prestigious theatrical venues in New York. Located at 205 West 46th Street in the heart of Manhattan, it's a place where countless iconic performances took place. Opened originally as the Globe Theatre in 1910, it was renamed in honor of Alfred Lunt and Lynn Fontanne in 1958. The theatre, with its eye-catching architecture and rich history, has a seating capacity of nearly 1,500. Being a centenarian venue, it has been through several renovations, but each time it retained its look of classical elegance. Many notable Broadway productions have played at the theatre, predominantly musicals. Impressive frescoes, luxurious red seats, mesmerizing ambient lighting, coupled with state of the art audio-visual elements, create an unforgettable experience. With each performance, audiences are enveloped in an atmosphere of grandeur and majesty, a testament to the theatre's legendary status.

**Getting to Lunt-Fontanne Theatre**: Conveniently situated in Manhattan, the theatre is easily accessible by mass transit. One recommended way is by subway; guests can take the N, Q, R, W, J or Z trains to 42nd Street, Times Square. From that point, it's just a short walk to reach the venue.

Lunt-Fontanne Theatre - NY

Lunt-Fontanne Theatre

The Lunt-Fontanne Theatre, located at 205 West 46th Street in Manhattan, is a historic Broadway theatre venue with a seating capacity of nearly 1,500.

Chess on Broadway - NYC [44447]

Chess on Broadway

The Imperial Theatre is an iconic Broadway theatre located in the heart of New York's theater district. Established in 1923 and built by the Shubert Organization, it boasts of a spectacular architectural design conceived by Herbert J. Krapp. The interior charm is harmonized by comfortable seating for around 1,417 spectators. Throughout its illustrious history, the theatre has hosted countless notable performances, including 'Les Misérables', 'Annie Get Your Gun', and the debut of 'Billy Elliot'.

### Getting to the Imperial Theatre ###

The theatre is conveniently sited at 249 West 45th Street, making it easy to reach by taxi, bus or subway. The nearest subway stations are 42 St - Port Authority Bus Terminal on lines A, C and E and Times Sq - 42 St on lines N, Q, R, W, S, 1, 2, 3, and 7. If you prefer a bus ride, M42 and M50 are the most proximate bus stops. There are multiple paid parking garages in the theater’s vicinity for those who decide to drive.


Imperial Theatre - NY

Imperial Theatre

The Imperial Theatre in New York is a historic venue which hosts significant performances. It's easily accessible by taxi, subway, or bus.

Madeline Brewer, Nicholas Christopher to join 'Little Shop of Horrors' Off-Broadway cast

Subscribe to our newsletter to unlock exclusive New York theatre updates!