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Everything's coming up tickets! [*Gypsy*](https://www.newyorktheatreguide.com/show/41161-gypsy-on-broadway) on Broadway is now on sale with seats for performances through August 31. Get [*Gypsy* tickets](https://www.newyorktheatreguide.com/show/41161-gypsy-on-broadway) on New York Theatre Guide.

One of the most celebrated musicals of all time, *Gypsy* follows Momma Rose, the ultimate "stage mother" who goes to obsessive lengths to make her daughters into stars no matter what. In the role of...

'Gypsy' tickets now on sale through August

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The acclaimed musical revival, starring six-time Tony Award winner Audra McDonald as Momma Rose, has played at the Majestic Theatre since November 2024.

An all-star team of theatre powerhouses has joined forces to bring [*BOOP! The Musical*](https://www.newyorktheatreguide.com/show/39187-boop-the-betty-boop-musical) to Broadway. The animated character Betty Boop is one of the world's best-known cartoon personalities, having graced television screens countless times since her first appearance in the cartoon *Dizzy Dishes* in 1930. Now, Betty will debut on Broadway at the [Broadhurst...

Everything you need to know about ‘BOOP! The Musical’ on Broadway

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The beloved cartoon flapper Betty Boop takes to the stage in a new musical created by Grammy Award winner David Foster and more celebrated theatre icons.

Having captivated global audiences with performances [on stage and screen](https://www.newyorktheatreguide.com/theatre-news/news/all-the-times-sarah-snook-did-theatre), Emmy Award-winning actress [Sarah Snook](https://www.newyorktheatreguide.com/stars-on-stage/sarah-snook) will make her much-anticipated Broadway debut in a solo theatrical adaptation of Oscar Wilde’s novel [*The Picture of Dorian Gray*](https://www.newyorktheatreguide.com/show/15368-the-picture-of-dorian-gray-on-broadway). Snook...

Guide to ‘The Picture of Dorian Gray’ on Broadway starring Sarah Snook

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The Emmy Award-winning *Succession* star makes her Broadway debut performing all 26 characters in this Oscar Wilde adaptation that sold out in London’s West End.

Sarah Snook - NY

The Picture of Dorian Gray on Broadway - NYC [15368]

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The Picture of Dorian Gray on Broadway

The **Music Box Theatre** is a beautifully arranged Broadway venue, poised for epic performances at the heart of New York City. Built in 1921 by playwright, producer, and composer Irving Berlin, the theatre possesses a fascinating history with a capacity of 1,022 seats. Decorated intrically with an azure blue ceiling painted with stars, the theatre's ambiance is known for its grace and elegance. The theatre is home to multiple Tony Award-winning shows. Current and past productions impress with their artistic directions, stunning sets, and outstanding performances. Whether it's an enchanting musical or a dramatic play, each exquisite performance magnetizes audiences from all over the world.

 _**How To Get to The Venue**_

The Music Box Theatre is conveniently located at 239 West 45th Street. By Subway, you can take N, Q, R, or W to 49th Street and walk down, A, C, or E to 42nd Street and walk up, or 1, 2, or 3 to Times Square 42nd Street. Multiple bus routes also stop nearby. If driving, there numerous parking garages in and around Times Square. It's a bustling area, so allow extra time for traffic.

Music Box Theatre - NY

Music Box Theatre

The Music Box Theatre, a historic Broadway venue in NYC, is known for its artistic productions and elegant ambiance.

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Step right up and see [*Dead Outlaw*](https://www.newyorktheatreguide.com/show/38531-dead-outlaw) on Broadway! After premiering off Broadway in 2024 and winning four Best Musical prizes among numerous other accolades, the most delightfully weird musical this side of the Wild West is getting a bigger stage.

The celebrated creative team behind the Tony Award-winning musical *The Band's Visit* has reunited to musicalize the true story of Elmer McCurdy, a man more famous in death than life. After...

Everything you need to know about 'Dead Outlaw' on Broadway

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The folk-rock musical comes to the Longacre Theatre after winning top honors at numerous theatre awards ceremonies for its 2024 Off-Broadway premiere.

__UPDATE: Tony Award winner Bartlett Sher has been announced to direct the Dolly Parton musical *Hello, I'm Dolly*. The musical will premiere at Belmont University's Fisher Center for the Performing Arts ahead of Broadway, with performances starting on 18 July for a four-week run.__

Hello, Dolly! A Dolly Parton musical titled *Hello, I'm Dolly* will come to Broadway in 2026, with a theatre and dates to be announced.

“Hello, I’m Dolly, and I lived my whole life to see this show on stage,"...

Dolly Parton musical 'Hello, I'm Dolly' to premiere on Broadway in 2026

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The multi-award-winning musician co-wrote the show inspired by her life, which also features her greatest hits and new songs from her celebrated career.

Look out, old Johnny's back! Tony Award winner [Jonathan Groff](https://www.newyorktheatreguide.com/stars-on-stage/jonathan-groff)’s latest stage role in [*Just in Time*](https://www.newyorktheatreguide.com/show/42905-just-in-time-on-broadway) comes, well, just in time to mark the 20th anniversary of his Broadway debut. In the new jukebox musical, Groff plays Bobby Darin, the pop crooner known for making audiences swoon in the 1950s and '60s to hits like “Beyond the Sea,” “Mack the Knife,”...

Our favorite Jonathan Groff theatre roles

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The Tony Award-winning actor plays 1950s pop heartthrob Bobby Darin in *Just in Time*, the latest Broadway musical on Groff's extensive theatrical resume.

Jonathan Groff - NY

Ages 5+. Children under the age of 4 are not permitted in the theatre.

Little Shop of Horrors - NYC [24608]

Little Shop of Horrors

Little Shop of Horrors - NYC [24608] Product Media 

The plant at the centre of <a href="/show/little-shop-of-horrors">Little Shop of Horrors</a> that feeds on human blood may have had its sights on world domination, but the musical that was based on the low-budget 1960 comedy sci-fi film of the same name has actually long achieved it, so it ultimately got what it wanted. And now the show has come full circle, 37 years on from its Off-Off-Broadway beginnings at the WPA Theatre (now no more) in May 1982, before moving to the larger Orpheum Theater on Second Avenue in the East Village that summer, where it ran for five years and became the highest-grossing show in Off-Broadway history until then, to find a new home at another Off-Broadway house just off Eighth Avenue in midtown Manhattan.In the intervening years, it has been turned into a feature film and played in the West End and on Broadway (the latter in a new production in 2003 that ran for less than a year at the Virginia Theatre, now the August Wilson), but its true home is a more modestly scaled place like the 270-seater <a href="/theatres/westside-theatre">Westside Theatre</a>, a former Baptist church built in 1889 that has been used as a theatre space since the mid-1970s.But while it is naturally a special pleasure and privilege to see the show at close quarters again, everything about this new version screams Broadway, from its above-the-title casting of multiple Tony Award nominees Jonathan Groff, Tammy Blanchard and two-time Tony winner <a href="/actor-profile/christian-borle">Christian Borle</a>, to its creative staff, led by director Michael Mayer, Tony winner for his original production of Spring Awakening. And unfortunately not everyone alas is willing to let the show sing and speak for itself, but&nbsp;seeks to portray it on a larger canvas.The production often feels too large and indulgent on this small stage, starting with Julian Crouch's expansive set that consumes the theatre. This may be the priciest Skid Row ever brought to an Off-Broadway stage.The performances are at times similarly exaggerated. In trying to mine new colours for Audrey, the abused floral shop assistant who falls for her work colleague Seymour as he nurtures a new exotic plant that he names Audrey II after her, Tammy Blanchard channels her into a sultry Rita Heyworth-inspired character, with her songs slowed down into torch songs of despair. 'Somewhere that's Green' sounds less aspirational of a better life than a dread doubt of ever achieving it.Jonathan Groff seems similarly depressed and downtrodden as Seymour, while Christian Borle plays the dentist Orin and a range of other characters purely as bright, eager caricature.There are some compensating pleasures from the trio of street urchins Ronnette (Ari Groover), Crystal (Salome Smith) and Chiffon (Joy Woods), who are a kind of Greek chorus observing and commenting on the action in Alan Menken's wonderful pastiche score. It is here that the enduring pleasures of the show itself are most apparent.Nicholas Mahon's new puppet designs for the plant itself are impressive as it grows ever larger. But less, in this production, would be more amongst the human elements.(Photo by Emilio Madrid-Kuser)<div class="block block-block contextual-links-region " id="block-block-9"><div class="block-inner clearfix"><div class="block-title"><h2>WHAT THE OTHER CRITICS SAID</h2></div></div></div>"A certain carnivorous plant has been repotted in Hell's Kitchen, and I am delighted to report that it's thriving there. This hot showbiz shrub of yesteryear, which goes by the name of Audrey II, has found a new dance partner, a performer who can coax the&nbsp;tendril-stretching star quality&nbsp;out of a freakish botanical specimen. That would be Jonathan Groff,&nbsp;who is generating major nerd charisma in Michael Mayer's delicious revival of Little Shop of Horrors." Ben Brantley&nbsp;for <a href="https://www.nytimes.com/2019/10/17/theater/little-shop-of-horrors-review-jonathan-groff-feeds-the-beast.html" target="_blank">New York Times</a>"Tight feels right, because the roots of Alan Menken and Howard Ashman's terrific show are in small houses. Now the insanely catchy doo-wop musical occupies the 270-seat Westside Theatre, with a bare-bones set and not a projection in sight. Freed from dealing with the usual trappings of modern musicals, you can feel the actors let their vines down." Johnny Oleksinski&nbsp;for <a href="https://nypost.com/2019/10/17/little-shop-of-horrors-review-jonathan-groff-tammy-blanchard-get-real/" target="_blank">New York Post</a>"Michael Mayer's deeply satisfying revival at the Westside Theatre, with a set by Julian Crouch, has the right sense of scale for a musical that began Off Broadway and is most at home there. It's a little show, and the closer we get to it, the more it sucks us in." Adam Feldman for <a href="https://www.timeout.com/newyork/theater/little-shop-of-horrors-review-revival-jonathan-groff-tammy-blanchard-christian-borle" target="_blank">Time Out New York</a>"What's most immediately captivating about the limited-engagement production is that, deluxe casting aside, it eschews Broadway scale in favor of a return to the show's roots in an off-Broadway theater that seats just 270. That accounts for the production's sell-out business, two-month extension and cluster of hopeful ticket-buyers waiting on cancellation lines at every performance. While it's become something of a classic, this remains at heart a scrappy little pastiche musical whose charms thrive most vibrantly in an intimate house." David Rooney&nbsp;for&nbsp;<a href="https://www.hollywoodreporter.com/review/little-shop-horrors-theater-review-1248089" target="_blank">Hollywood Reporter</a>"Directed at a quick clip by Michael Mayer,&nbsp;this Little Shop&nbsp;is played out on the small, tight stage of the Westside Theater with an ever-growing, masterfully manipulated plant (kudos to Eric Wright, Teddy Yudain, Kris Roberts, Chelsea Turbin). The close confines give this Little Shop&nbsp;the intimacy of home viewing." A.D. Amorosi&nbsp;for&nbsp;<a href="https://variety.com/2019/legit/reviews/little-shop-of-horrors-review-jonathan-groff-1203370043/" target="_blank">Variety</a>&nbsp;

Review of Little Shop of Horrors, starring Jonathan Groff, Tammy Blanchard & Christian Borle, at Westside Theatre

Westside Theatre, located in the heart of New York City, is a true spectacle for all theatre enthusiasts. This performing arts venue is renowned for its unique and diverse range of productions, from Tony Award-winning plays to innovative off-Broadway performances. The theatre is divided into Upstairs and Downstairs theatres, which allows simultaneous performances. The upstairs theatre, located on the second floor, accommodates 270 people, while the downstairs theatre has a capacity of 249 seats. Outfitted with modern sound and lighting systems, it provides an intimate and immersive experience for audiences. Traditional architecture mixed with contemporary designs creates a unique ambiance that can only be found in this legendary theatre.

**How to get to Westside Theatre**: The theatre is situated at 407 W 43rd St. The nearest subway is at 42nd Street, which you can access through the A, C, or E trains. If you prefer to drive, several parking garages are located nearby. Due to its central location, Westside Theatre is also easily reachable by local buses, taxis, or rideshares.

Westside Theatre - NYC

Westside Theatre

Westside Theatre in NYC hosts diverse performances in its two theatres. It's readily accessible via subway, bus, taxi or rideshare.

Ages 10+. Infants are not permitted in the theater.

Hamilton on Broadway - NYC [384]

Hamilton on Broadway

Hamilton on Broadway [384] Product Media 

I saw *Hamilton* Wednesday last at the Richard Rogers Theatre. Last night I went to bed with *Hamilton*. I had Lin-Manuel Miranda's script all to myself and devoured it. There is so much information, not to mention plain old smarts, that is packed into this show that reading the text is an exercise in pure pleasure. And once again I came away with the same conclusion. This is a story ABOUT Alexander Hamilton while at the same time it is the story OF Aaron Burr.

Burr (Leslie Odom, Jr.) welcomes us to the evening almost purring:

How does a b*st*rd, orphan, son of a wh*re And a Scotsman dropped in the middle of a forgotten spot In the Caribbean, by Providence impoverished, to squalor Grow up to be a hero and a scholar?

Who did this immigrant Hamilton (Lin-Manuel Miranda) think he was? Burr was the son of money. Hamilton was the son of chance and fortune. Burr was willing to wait for his just rewards; Hamilton preferred the direct route.

... I'm just like my country I'm young, scrappy and hungry And I'm not throwing away my shot

Hamilton arrives from Nevis in the Bahamas just as the country is splintering into a new incarnation. He lands in New York, the center of everything, and works his way up the revolutionary ladder. He sits at the right hand of God in the person of George Washington (Christopher Jackson) and pines for a command that is denied him until there is no other option.

Hamilton did not live in a vacuum, however. Events and people were moving around him like a hurricane. The women in his life were a match in every way to the men. "The Schuyler Sisters," Angelica (Renée Elise Goldsberry), Eliza (Phillipa Soo), and Peggy (Alysha Deslorieux on the night I was there), are the center of New York's solar system. While Washington in planning battle, there is a social life to be created. Angelica is looking for a mind at work, and when both she and her sister, Eliza, are smitten by Hamilton, she steps aside in a scene that is tragic and gallant.

As each element is added to the story, the tapestry becomes richer and more dense. Family brings new responsibility but does not alter Hamilton's trajectory. As the new country is formed, he stays in the inner circle, annoying Thomas Jefferson (Daveed Diggs) who was in France for most of the war, and drives Burr just a little mad. Burr's thirst for the power that Hamilton has is palpable, and as his frustration explodes in the second act with "The Room Where It Happens," the experience is visceral for us all and becomes a showstopper.

Over and over again we see the tragedy that is coming. The rules of dueling are spelled out more than one time. The future is seen as a place where these folks may not walk but in which they will be remembered. The tension and terror of the time fill the theatre. This is balanced by Miranda's eye for the absurd, the ridiculous and the insidious which evoke belly laughs, winces and mental high-fives. He gives a generous nod to King George (Jonathan Groff, who is the only white person playing a main character) who smiles and winks through three pop numbers that remind us in the nicest possible way that the little people are just that:

Cus when push comes to shove I will kill your friends and family to remind you of my love

Hamilton was smart and driven - and he was a writer. It was his pen that got him out of his home, and it would be his pen that brought him to the side of Washington. Today he would have been tweeting (as is Miranda) several times a day. If the telegraph had been around he would have been tapping until the machine melted in his hands. But these were the days of longhand, quills, ink, and parchment. And delivery was by foot or, if you were lucky, horseback. Still, what Hamilton managed to crank out was not only impressive, it was world-altering. His accomplishments are listed like it was an awards banquet. He crafted a financial system. Created the national debt to save the country. Wrote *The Federalist Papers*. He wrote as if he were running out of time. And he was.

The last moments of Hamilton's life are perhaps the most delicately crafted. "I imagine death so much it seems like a memory," Hamilton sings as the bullet travels through time and relationships to reach him. And when it does, we hear the lament of Aaron Burr, still at the center of the tale, who didn't realize the world was wide enough for them both, and the chorus that delivers us back into our seats singing and asking us, "Who lives? Who dies? Who tells your story?"

Hamilton is a magnificent tapestry where all the elements of theatre are called upon to be their very best. The choreography by Andy Blankenbuehler is nothing short of mesmerizing. His work makes the entire piece pulse. Alex Lacamoire's musical direction and orchestration lifts us into the stratosphere. The scenic design by David Korins, costumes by Paul Tazewell, and lights by Howard Binkley are seamlessly integrated and a visual feast. Finally, Thomas Kail's direction is impeccable. Under his guidance this show has been pieced together into a living, breathing entity. *Hamilton* is not just a show, it is an experience - which is always the goal of art. This is not a show that you sit and watch. It is a show that takes you by the hand and pulls you into its embrace.

The end result is something much more than the story of one man. It is the story of how we each create our destiny and our mark on the world. You leave the theater thinking about what you would like to do that you have not done. You leave the theatre filled with possibility.

(Photo by Joan Marcus)&nbsp;<hr />"'Hamilton' makes us feel the unstoppable, urgent rhythm of a nation being born." Ben Brantley for New York Times"With 'Hamilton,' Broadway is officially the coolest place on the planet. And the smartest. And most exhilarating." Joe Dziemianowicz for New York Daily News"Lin-Manuel Miranda's 'In the Heights' may have been a hit — but his 'Hamilton' is a phenomenon." Elisabeth Vincentelli for New York Post"The greatest American musical in decades." David Cote for Time Out New York"It was phenomenal off-Broadway. It's even better now. 'Hamilton' is that rare musical that fires on all cylinders, even ones we never knew existed." Roma Torre for NY1"This is a musical often stunning in its audaciousness." Mark Kennedy for Associated Press"This enormously ambitious and entertaining musical history lesson is even more impressive on a second viewing." Frank Scheck for The Hollywood Reporter"This innovative show is shaping up to be just as much of a phenomenon uptown, playing in a Broadway house with four times the seating capacity, and to a more traditional but no less enthusiastic audience. That universal appeal to crossover audiences is one unmistakable sign of a groundbreaking show." Marilyn Stasio for VarietyExternal links to full reviews from popular press...<a href="http://www.nytimes.com/2015/08/07/theater/review-hamilton-young-rebels-changing-history-and-theater.html?_r=0" target="Top">New York Times</a> - <a href="http://www.nydailynews.com/entertainment/theater-arts/hamilton-musical-mint-condition-broadway-article-1.2316761" target="Top">New York Daily News</a> - <a href="http://nypost.com/2015/08/06/hamilton-isnt-quite-revolutionary/" target="Top">New York Post</a> - <a href="http://www.timeout.com/newyork/theater/hamilton-1" target="Top">Time Out</a> - <a href="http://www.ny1.com/nyc/all-boroughs/lifestyles/2015/08/6/ny1-theater-review---hamilton-.html" target="Top">NY1</a> - <a href="http://www.hollywoodreporter.com/review/lin-manuel-mirandas-hamilton-theater-813145" target="Top">Hollywood Reporter</a> - <a href="http://variety.com/2015/legit/reviews/hamilton-review-broadway-1201557679/" target="Top">Variety</a>

'Hamilton' review

Read our five-star review of *Hamilton* on Broadway at the Richard Rodgers Theatre.

The Richard Rodgers Theatre, named after one of the most influential composers in American history, is a Broadway theatre located in New York City. It was originally opened in 1925 as 'Chanin's 46th Street Theatre' and was later renamed in honor of prolific composer Richard Rodgers in 1990. At over 14,000 square feet, it is the highest grossing venue on Broadway, with a seating capacity for an audience of over 1,300 people. Offering a variety of shows, it is best known for the ongoing run of the critically acclaimed musical, 'Hamilton'. Not only does this theatre provide top-notch entertainment, but it also offers an array of amenities for its guests, including wheelchair accessible seating, assistive listening devices, and more. 

*How to get there*: The Richard Rodgers Theatre is conveniently located at 226 W 46th Street, near Times Square. Access to the theatre is easy and convenient with several modes of public transportation available. The nearest subway stations are 49th Street (N, R, and W lines) and 42nd Street - Times Square (A, C, E, N, R, W, 1, 2, 3, 7, and S lines). Alternatively, visitors can take a bus to West 46th Street and 8th Avenue, which is just a short walk to the theatre.

Richard Rodgers Theatre - NY

Richard Rodgers Theatre

Richard Rodgers Theatre is a historic Broadway venue in New York, notable for Hamilton performances. Easy access via subway or bus.

Ages 10+. Children under 4 are not permitted in the theater.

DNU - Merrily We Roll Along on Broadway - NYC [27417]

Merrily We Roll Along on Broadway

Merrily We Roll Along on Broadway - NYC Product Media

“That’s just something I do when I want to hold onto a moment,” composer Franklin Shepard shares in [*Merrily We Roll Along*](https://www.newyorktheatreguide.com/show/27417-merrily-we-roll-along-tickets). “I close my eyes tight and I swallow. Like I take a picture that I can treasure.”

Be prepared to do the same during the bracing revival of [Stephen Sondheim’s musical](https://www.newyorktheatreguide.com/theatre-news/news/a-history-of-stephen-sondheim-musicals-on-broadway-and-beyond), back on Broadway for the first time. You’re going to want to preserve the riches flowing throughout this hurts-so-good musical about growing up and growing apart. 

The show's [1981 premiere](https://www.newyorktheatreguide.com/theatre-news/news/a-timeline-of-merrily-we-roll-along-on-broadway-and-beyond) was short-lived thanks to various staging issues. But George Furth's heart-stirring, if cliched, story about the delicate nature of friendship and Sondheim’s enduring hits – “Not a Day Goes By,” “Good Thing Going,” and “Old Friends” among them – earned the show a robust afterlife.

Based on a 1934 play by George S. Kaufman and Moss Hart, the musical unfolds in reverse chronological order. Soutra Gilmour’s spare and handsome set shapeshifts effectively as scenes move back in time and across cities. 

The plot follows the fates of three close pals – Frank (Jonathan Groff), dramatist Charley Kringas ([Daniel Radcliffe](https://www.newyorktheatreguide.com/stars-on-stage/daniel-radcliffe)), and writer Mary Flynn (Lindsay Mendez) – whose tight-knit bond erodes as the days go by. It’s 1976 when we first lay eyes on Frank. He's a hotshot movie producer with a fancy home in Bel Air and a life he hates. 

“How did you get to be here?” sycophants and wannabes want to know. Director Maria Friedman’s staging emphasizes that Frank is reflecting on how he got to where he is, which calls up the rest of the show's worth of memories. In a way, the concept turns an opening lyric from the title song — “Yesterday is done” — on its head. The past is always present.

As he holds a script of an unproduced stage show he abandoned for Hollywood, Frank fades in on how his betrayals, cheating, and greed conspired to ruin relationships with Mary, now a self-loathing drunk, and Charley, who’s been excised from his life. Frank’s wives, first Beth (Katie Rose Clarke), and then Gussie (Krystal Joy Brown), a calculating actress, are other casualties. 

The plot finally rolls back to 1957 in New York, where the wide-eyed trio becomes fast friends as Sputnik orbits and signals that anything’s possible – especially when your besties have your back. The big-hearted “Our Time” spills over with emotion.

Friedman’s production premiered in London in 2012 and wrapped a New York Theatre Workshop run in January with the Broadway cast. Her vision is clear, accessible, and very fine. It’s nitpicking to note that the first act pacing is snail-mail slow, but it is.

Since the downtown run, though, the three leads are even better. Cast against the nice-guy type, Groff steps up with a dark streak as Frank, a wolf in Shepard’s clothing. Mendez makes Mary’s quips drip acid and the reality-check number, “Like It Was,” a musical highlight.

Radcliffe really pops now, and Charley’s comedic cri de coeur “Franklin Shepard, Inc.” is a showstopper. Actually, it’s a moment to close your eyes tight and swallow.

[*Merrily We Roll Along* is at the Hudson Theatre through March 24. Get *Merrily We Roll Along* tickets on New York Theatre Guide.](https://www.newyorktheatreguide.com/show/27417-merrily-we-roll-along-tickets)

*Photo credit: Daniel Radcliffe, Jonathan Groff, and Lindsay Mendez in Merrily We Roll Along. (Photo by Matthew Murphy)*

'Merrily We Roll Along' review — first Broadway revival has a good thing going

Read our four-star review of Jonathan Groff, Daniel Radcliffe, and Lindsay Mendez in Stephen Sondheim and George Furth's *Merrily We Roll Along* on Broadway.

The **Hudson Theatre** located in the heart of New York City, is a prestigious broadway theatre on 44th street. Over a century old, it blends the rich history of New York with the modern NY life, rendering it an impeccable locale for a diverse range of events. It showcases traditional broadway shows, concerts, performing artist shows and many more. This quintessential theater boasts a seating capacity of around 970, spread over 3 levels, offering a meticulous proximity to the stage with unmatchable acoustics. It is adorned by a magically preserved antique design, offering a one-of-a-kind ambience that’s second to none.

**How to get to the venue:** The Hudson Theatre is accessible via various methods of transport. Driving to the theater provides the convenience of parking at Icon parking just across the street. Alternatively, the theater is easily reachable via public transit, being near to Times Square - 42nd Street Station served by multiple subway lines. The Port Authority Bus Terminal is just a short walk away, providing access to numerous bus routes.

Hudson Theatre - NY

Hudson Theatre

The Hudson Theatre is a historical Broadway theatre in New York City, accessible via car, subway, and bus.

Just in Time on Broadway - NYC [42905] 

Just in Time on Broadway

The Circle in the Square Theatre is a renowned and intimate theatre venue nestled in the heart of New York City's bustling Broadway district. Established in 1951, it stands as one of the oldest and most distinctive theatres in the city, revered for its unique configuration and legacy of groundbreaking productions. The theatre boasts a thrust stage, meaning the stage extends into the audience on three sides, providing an intimate and immersive experience that feels both inclusive and dynamic. It offers 776 seats, all of which provide excellent sightlines due to the unique stage setup and the circular layout of the theatre. This venue is famed for its productions of plays and musicals in both Broadway and Off-Broadway categories, enhancing its reputation as a versatile and inclusive space for all types of theatrical performances. Over the years, it has hosted countless award-winning shows like 'Oklahoma!', 'Once on This Island', and 'The 25th Annual Putnam County Spelling Bee'. 

 **How to get there:** The Circle in the Square Theatre is conveniently located at 235 West 50th Street, in between Broadway and 8th Avenue. It is easily accessible by public transportation. If travelling by subway, take the C, E, or 1 train to 50th Street and Broadway, or the N, R, or W train to 49th Street and 7th Avenue. Numerous buses also stop near the theatre. If you’re driving, there are several paid parking garages in the vicinity.

Circle in the Square Theatre - NY

Circle in the Square Theatre

New York's Circle in the Square Theatre is a distinctive, intimate venue known for its unique seating and world-class performances.

Jonathan Groff Headshot

Sink your teeth into this one! The new musical *The Lost Boys*, adapted from the film of the same name, will premiere at Broadway's [Palace Theatre](https://www.newyorktheatreguide.com/venues/palace-theatre-ny) in spring 2026, with exact dates to be announced.

*The Lost Boys* follows two teenage brothers who move with their mother to the fictional Santa Carla, California, which turns out to be crawling with vampires. When the Warner Bros. film, directed by Joel Schumacher from a story by James...

'The Lost Boys' musical to premiere on Broadway in spring 2026

lost boys art-1200x600-NYTG

The stage show is adapted from the 1987 cult classic horror comedy film directed by Joel Schumacher, and it is set to play the Palace Theatre,

[*A Wonderful World: The Louis Armstrong Musical*](https://www.newyorktheatreguide.com/show/39810-a-wonderful-world-the-louis-armstrong-musical-studio-54) has set its Broadway closing date, with its final performance scheduled for February 23 at [Studio 54](https://www.newyorktheatreguide.com/theatres/studio-54). At the time of closing, it will have played 151 total performances there.

*A Wonderful World* charts how Armstrong went from an unknown trumpeter in New Orleans to a globally...

'A Wonderful World: The Louis Armstrong Musical' to close on Broadway

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The show about the life, career, and marriages of the jazz legend will play its final performance in February after opening at Studio 54 in fall 2024.

Class is in session! Photos are now available of [*English*](https://www.newyorktheatreguide.com/show/24265-english-play-tickets) on Broadway, playing at the [Todd Haimes Theatre](https://www.newyorktheatreguide.com/theatres/todd-haimes-theatre) through March 2.

Winner of the 2023 Pulitzer Prize for Drama, *English* is set in an Iranian classroom where four adult students, along with their teacher, are preparing to take the Test of English as a Foreign Language. Both dramatic and comedic, the...

See photos of 'English' on Broadway

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The Pulitzer Prize-winning play by Sanaz Toossi is running at the Todd Haimes Theatre with the complete company from its 2022 Off-Broadway world premiere.

Welcome to Hawkins! [*Stranger Things: The First Shadow*](https://www.newyorktheatreguide.com/show/41967-stranger-things-the-first-shadow-on-broadway) has announced complete casting for its Broadway production at the [Marquis Theatre](https://www.newyorktheatreguide.com/venues/marquis-theatre). Performances begin March 28 ahead of an April 22 opening.

The *Stranger Things: The First Shadow* cast includes [Louis...

'Stranger Things: The First Shadow' names Broadway cast

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The play is inspired by the hit Netflix series *Stranger Things*, taking place 30 years earlier and featuring younger versions of fan-favorite characters.

New York award-winning shows in February 2025

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